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This is the ninth in a continuing feature at
IndustryCentral profiling "The Working
Actor". William Shakespeare said "There are no small parts.....". William Shatner may have said it too, but the longhair with the tights was first, or so the reports go. In this feature we will explore what it really means to be an actor working in Motion Pictures and Television. Broad public acknowledgment may have eluded some who find their way to these pages, or perhaps they may have brushed against what is referred to as stardom by virtue of one or more remarkable performances. However for many, the rewards of plying their craft in a field which has allowed them to earn a living may exceed the burdens of public acclaim. Given the chance, some in this clan might prefer the longevity offered by anonymity over the potential for short lived fame. These individuals, either by design or fate, have managed to sustain a career by crafting performances which rendered them a good casting choice. They are usually thought of as a face you recognize, but you just can't get the name past the tip of your tongue. Most of these folks have spent countless hours on stage in theaters ranging from 20 seats to 2000, building characters from the works of Ibsen, to Eliot, to Williams, to yes even Shakespeare, and so many of the modern Playwrights. They have rounded their skills doing drama, comedy, & musicals. Their work is a serious venture. These people have given us screen performances which quite often were the catalyst that brought an Oscar or Emmy to another and yet they continue to work as "Characters" or "Co-Stars" without the trophies and plaques adorning their mantle. |
Tom Bower |
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Tom Bower is truly the essence of the working actor. His many varied screen performances have rewarded him with a stable career in Hollywood. His tireless work with the Screen Actors Guild and in support of his fellow actor make him an example for all to follow. Tom's motion picture credits include: The Million Dollar Hotel (Icon Productions, Wim Wenders, Director); Slipping Down Life (DVD Productions, Tony Kalem, Director) which premiered and was one of the films in competition at the 1999 Sundance Film Festival; Shadrach (Nu Image, Suzanna Styron, Director) which premiered and opened the 1998 Los Angeles Film Festival; The Negotiator (New Regency, F. Gary Gray, Director); Poodle Springs (Mirage, Citadel, Bob Rafelson, Director); The Buffalo Soldiers (Citadel, Charles Haid, Director); The Postman (Warner, Kevin Kostner, Director); Nixon (Disney, Oliver Stone, Director); Georgia (Miramax, Ulu Grossbard, Director); White Man's Burden (Rysher Entertainment, Desmond Nakano, Director); Clear and Present Danger (Paramount, Phillip Noyce, Director); Die Hard II (20th Century Fox, Renny Harlin, Director); Far From Home, the Adventures of Yellowdog (20th Century Fox, Phillip Borsos, Director); River's Edge (Island, Tim Hunter, Director); Wildrose (Troma, John Hanson, Director); The Ballad of Georgio Cortez (Embassy, Robert M. Young, Director); Shadows (John Cassavettes, Director); and many others. Tom has also appeared on numerous television programs and MOW's including NYPD Blue, Monday After the Miracle (MOW,CBS, Dan Petrie, SR., Director); Riders of the Purple Sage for TNT, and Attica Against the Wall for HBO. Also a veteran of the stage, Tom has appeared in more than 80 theatrical productions across the United States. HE is one of the founding members and is on the Board of Directors of the Loretta Theater in Santa Monica. In 1981, Tom was invited by Robert Redford to be a resource actor at the Sundance Institute for film and television. He has remained active in the Institute since that time, and has served as a member of it's nominating committee. Tom currently serves on the Board of Directors at the Screen Actors' Guild and is Co-Chairperson for the Film Festival Committee. Representation: United Talent Agency "UTA" Tom Bower's advice to the aspiring actor: |
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