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This is the twenty seventh in a continuing feature at IndustryCentral profiling "The Working Actor". (See Archives below) William Shakespeare said "There are no small parts--.". William Shatner may have said it too, but the longhair with the tights was first, or so the reports go. In this feature we will explore what it really means to be an actor working in Motion Pictures and Television. Broad public acknowledgment may have eluded some who find their way to these pages, or perhaps they may have brushed against what is referred to as stardom by virtue of one or more remarkable performances. However for many, the rewards of plying their craft in a field which has allowed them to earn a living may exceed the burdens of public acclaim. Given the chance, some in this clan might prefer the longevity offered by anonymity over the potential for short lived fame. These individuals, either by design or fate, have managed to sustain a career by crafting performances which rendered them a good casting choice. They are usually thought of as a face you recognize, but you just can't get the name past the tip of your tongue. Most of these folks have spent countless hours on stage in theaters ranging from 20 seats to 2000, building characters from the works of Ibsen, to Eliot, to Williams, to yes even Shakespeare, and so many of the modern Playwrights. They have rounded their skills doing drama, comedy, & musicals. Their work is a serious venture. These people have given us screen performances which quite often were the catalyst that brought an Oscar or Emmy to another and yet they continue to work as "Characters" or "Co-Stars" without the trophies and plaques adorning their mantle. |
Warren Stevens | |||
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Warren Stevens became an actor by way of Annapolis. Stevens, who was born in Clark's Summit, PA., Followed the family's wishes and joined the Navy when he turned seventeen. During four years as an enlisted man he studied for an appointment to Annapolis and was accepted. While attending the Naval Academy, however, he met Bob Porterfield, who owned the Barter Theatre. Stevens, who had always wanted to pursue an acting career since he had his own band as a teenager, decided now to take his desire seriously. Stevens did twelve weeks of summer stock in the Virginia Straw-hatter where he became friends with Gregory Peck and Ken Toby. They arranged interviews for him at the Neighborhood Playhouse in New York City where he studied with Sanford Meisner, Martha Graham and Lehman Engel. Stevens, who later became one of the regular players on NBC-TV's "Richard Boone Show", interrupted his career following Pearl Harbor to join the Air Force as a pilot. He spent two and a half years as a special. instructor. When he was discharged as a first Leutenant he found that he had to start all over again on his acting career. "I starved for a while, picking up radio assignments to help out," he said, "It was the much maligned soap operas, however, which saved my neck". He did summer stock around the Eastern Seaboard and became a charter member of the newly formed Actor's Studio in 1947, There he appeared opposite Phyllis Thaxter in "Sundown Beach," a play by Elia Kazan. The cast included Julle Harris, Cloris Leachman and Alex Nicol. The role brought Stevens his first recognition. He followed this with "Smile at the World" by Garson Kanin, In which he co-starred with Ruth Gordon and Otto Kruger. Finally, the big chance came when he was offered the key role in "Detective Story" on Broadway, a role he played for almost two years. Occasional TV work gave his career a steady uplift. In 1950 he signed a contract with Twentieth Century Fox, During his two years there he appeared in nine features, including "Frogmen," "Phone Call from a Stranger," "Deadline USA", "I Don't Care Girl" and "Wait Till the Sun Shines Nellie". He decided to freelance after that, commuting from coast to coast while working in films, on the stage and in television. In 1954 he landed the most challenging film assignment to date in his career the role of Kirk Edwards "the heavy" in "The Barefoot Contessa" along side Humphrey Bogart, Ava Gardner, and Edmond O'Brien Other screen credits since then include "Shark River", "Black Tuesday", "Duel on the Mississippi", "Forbidden Planet", "Threshold of Space", "Cry innocent", "Forty Pounds of Trouble", "Gunpoint", "Madame X", "An American Dream", "Cyborg", "Madigan", "The Student Body", "The Amazing Captain Nemo", "Stoker Ace", and "Chill Factor" among others Stevens guest-starred in virtually all major shows on TV in the 60's through the 90's including "Playhouse 90", "Climax," "The Defenders", "Wagon Train", "Have Gun, Will Travel", "Twilight Zone", "Gunsmoke", "Have Gun Will Travel", "Combat!", "The Outer Limits", "Bonanza", "The Man from U.N.C.L.E", "The Big Valley", "Voyage to the Bottom of the Sea", "Star Trek", "Ironside", "Mission: Impossible", "Cannon", "Marcus Welby, M.D.", "M*A*S*H", and "Wonder Woman", to name but a few. He also had his own series, co-starring regularly as Lt. William Storm in NBC's "The 77th Bengal Lancers". After reviewing Warren Steven's credits, we determined that we had to drop the following partial list of players with whom he has shared the screen: Dana Andrews, Anne Bancroft, Ralph Bellamy, Betty Davis, Jacqueline Bisset, Richard Boone, Humphrey Bogart, Lee J. Cobb, Tony Curtis, Howard Duff, Ann Francis, Ava Gardener, Lee Grant, Charles Laughton, Janet Lee, Ida Lupino, Shirley MacLaine, Harry Morgan, Edmond O'Brien, Merle Oberon, Walter Pidgeon, Edward G. Robinson, Inger Stevens, Lana Turner, Richard Widmark, Shelly Winters, now who's left? Stevens is a voracious reader, preferring non-fiction books on virtually all subjects and is currently writing his memoirs. This undertaking has taken him some time, and when complete, should truly qualify as a Who's Who of Hollywood's Golden Era. We can't wait for it's publication. Representation: Warren Stevens's advice to the aspiring actor: Warren Stevens's Credits (partial) FILM & TELEVISION
NOTABLE TELEVISION APPEARANCES
BROADWAY / N.Y.
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