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This is the forty sixth in a continuing feature at IndustryCentral profiling "The Working Actor". (See Archives below) William Shakespeare said "There are no small parts--.". William Shatner may have said it too, but the longhair with the tights was first, or so the reports go. In this feature we will explore what it really means to be an actor working in Motion Pictures and Television. Broad public acknowledgment may have eluded some who find their way to these pages, or perhaps they may have brushed against what is referred to as stardom by virtue of one or more remarkable performances. However for many, the rewards of plying their craft in a field which has allowed them to earn a living may exceed the burdens of public acclaim. Given the chance, some in this clan might prefer the longevity offered by anonymity over the potential for short lived fame. These individuals, either by design or fate, have managed to sustain a career by crafting performances which rendered them a good casting choice. They are usually thought of as a face you recognize, but you just can't get the name past the tip of your tongue. Most of these folks have spent countless hours on stage in theaters ranging from 20 seats to 2000, building characters from the works of Ibsen, to Eliot, to Williams, to yes even Shakespeare, and so many of the modern Playwrights. They have rounded their skills doing drama, comedy, & musicals. Their work is a serious venture. These people have given us screen performances which quite often were the catalyst that brought an Oscar or Emmy to another and yet they continue to work as "Characters" or "Co-Stars" without the trophies and plaques adorning their mantle. |
| John Getz | |||||||||
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John Getz was born and raised in the Mississippi River Valley of Northern Illinois and Iowa. His mother, who'd abandoned aspirations toward an acting career to raise four children, and his father, who thought Cole Porter was right about most things, imparted their love for music and theater. Getz's intention was to write and teach but a long stretch of college, with a Shakespeare teacher who was passionate on the subject and a theatre teacher whose pleasure in his work was palpable, waylaid him. And after doing a number of plays at the University of Iowa he was encouraged to try the Profession. He made his way to San Francisco, spent a summer in the training program and the subsequent season with the American Conservatory Theater, joined Actor's Equity, and a year later helped found the Napa Valley Theater Company in Yountville, Califonia. After a couple of successful seasons there he headed for New York. A friend from Napa was directing a children's theater production in New York (with Murray Abraham and Bob Gunton) and gave him immediate employment. While doing that he found a job in a play at LaMaMa (with Danny DeVito and Peter Riegert). That led to a production of Macbeth with the New York Shakespeare festival at Lincoln Center and then the workshop and first production of the musical, The Robber Bridegroom. At the same time be found his first television work as a regular on the soap opera, Another World. All this in about nine months! "It was an exciting time in Manhattan", he told us.. For the next fourteen years, Getz lived and worked in New York, with occasional forays to LA for television and films. He worked on and off Broadway, in Central Park, in regional theaters and writing workshops, played the lead in a couple of television series, and in the movies The Fly and Blood Simple, among others. In 1987 he married and moved to Los Angeles, with a long stretch back in New York to do M Butterfly on Broadway. In the years since he's been doing film and television in Los Angeles (and Nova Scotia and New Zealand and where there are jobs) and theater in LA and regional theatres, John says: "My passion and pleasure in the work have not dimished". Representation:
John Getz's advice to the aspiring actor:
John Getz's Credits (partial)
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